On the topic of great things shared to me by Josh, Ray Kurzweil has to be the most inspiring. Often you’ll hear scientists, anime characters and other part-time futurists refer to the accelerating rate of change in relation to the evolution of technology. Ideas that were only ever dared spoken of in the past by artist’s and fictional works like Shirow Masamune‘s “Ghost in the Shell“, are now becoming very relevant topics for general discussion today. The person surely at the forefront of putting these technological phenomena into a logical perspective is Ray Kurzweil.

These ideas and projections raise a lot of questions and give a lot of insight into the possibilities for a future Music Industry harnessing technological possibilities. Self sufficient studios? Artificial Intelligence composition? It’s an exciting future and it’s up to us to shape the way these “double-edged sword” ideas impact society.

PS (if that’s even appropriate in blog-land):  I’ve been slaving away at my own take on AI composition, better known in the music tech world as “Generative Composition”, ever since hearing Kurzweil’s thoughts and reading into the background behind Warp artists like Autechre and Aphex. I’ll write a more detailed post in the future about the development and philosophy behind the software I wrote in max/msp, but for now I’ll leave you with this. It is one of the most recent songs composed entirely by the program (all I did was give it a set of instruments and hit ‘play’).

“Tan Le’s astonishing new computer interface reads its user’s brainwaves, making it possible to control virtual objects, and even physical electronics, with mere thoughts (and a little concentration). She demos the headset, and talks about its far-reaching applications.”

…Imagining the possibilities for an audio / visual interface like this gets me way too excited… and considering this was posted on the TED site almost a year ago, it would surely be very interesting to see what they’re up to now. Cheers to Josh for showing this to our media cultures class last semester! It’s always refreshing to see ideas like this, that were originally only imagined for science fiction, becoming a reality.

I owe a MASSIVE THANK YOU to Jake Rose aka Sun in Aquarius for inviting me to be a part of such a ground-breaking switched on crew with this release! Absolutely honoured to be sharing the release with several of my idols on Enig’matik Records first ever V.A. release, “Painting Pictures on Silence Vol.1″.

I was lucky enough to open for the release, and put on a second track (track 3) under the mindBuffer AV project with Josh! The others are all definitely worth checking out though too. My personal favourites are the vaetxh, Circuit Bent, Sun in Aquarius and Mr. Bill.

Here’s the Enig’matik FACEBOOK and SOUNDCLOUD links. The response has been huge so far, with a few big names getting in contact with Jake who are keen on a spot for the next release also! Exciting stuff… Definitely expect to hear more from Enig’matik in the near future.

It’s been far too long since i’ve touched based with this platform for sharing information. I’ve been finding that a lot of interesting finds that I’ve been coming across i’ve only been sharing with close friends on social networking platforms like Facebook or Skype!

Recently however I’ve been starting to realise that a lot of that information that i’ve been sharing in such a small network would be perfect content to share with you and the general public within blog format. You can expect daily posts now with my latest findings in technology (particularly audio software and hardware), sound design and music as well as personal happenings including Mind Tree and mindBuffer releases, gigs, programming developments (max/msp/jitter, processing, c++) and of course concept dev progress.

To (re-)start-off, I’d like to share with you an idea that was planted in the back of my mind recently by Joshua Batty (the other half of mindBuffer). We’re planning for our first live gig at the moment (I’ll give you more information about venue and date soon) although we’ve both got perfectly able, stable live controllers to perform with… we can’t help but consider this!

Livid Instruments – BUILDER – DIY Music Hardware Solution

Livid are offering a modular based DIY solution to customised music controller! It does seem quite nerdalicious… But I think that’s exactly what I find appealing about designing a fully customised layout catered to my specific musically geekish needs.

In this video Jay (one of the founders of Livid Instruments) explains the inner workings of this DIY hardware.

Besides the aesthetic possibilities and the endless options for customisation, the price is also quiiite appealing. The brain (the one necessary part for whatever you’re building) is priced at $189 USD, with most of the other modules a very reasonable $12 or less. There’s a few brief examples of final products on the Livid page (link above), but here’s a good example of one in use. Introducing, The Choppertone!

So far, definitely seeming a worthy investment financially… Time-wise, however, is another story…

In this essay, I discuss technological adaptation through understanding cultural context in the music industry, particularly in reference to this quote by Henry Jenkins’:

“Most often, when people are asked to describe the current media landscape, they respond by making an inventory of tools and technologies. Our focus should be not on emerging technologies but on emerging cultural practices. Rather than listing tools, we need to understand the underlying logic shaping our current moment of media in transition.” Jenkins, Henry 2006, Eight Traits of the New Media Landscape, Confessions of an ACA Fan, viewed Feb 2010, <http://henryjenkins.org/2006/11/eight_traits_of_the_new_media.html>.

Here is the link to the published page! Concept Development Essay by Mitchell Nordine

Or here’s the link to download the .doc file.  >  Concept Development Essay by Mitchell Nordine .doc

Here’s a stab an example of using the Harvard Referencing system for an bibliography  with at least five references >>>

Michael Rabiger, 2003 Apr 10, Directing, Third Edition: Film Techniques and Aesthetics, Focal Press, London.

Joseph V. Mascelli, 1998, The Five C’s of Cinematography: Motion Picture Filming Techniques, Silman James Press.

Nicolas Proferes, 2001, Film Directing Fundamentals: From Script to Screen, Focal Press, Oxford

Steve Katz, 2001, Film Directing Shot by Shot: Visualizing from Concept to Screen, Michael Wiese Productions

Diana Weynand, 2009, Apple Pro Training Series: Final Cut Pro 7, Apple, USA

Richard Lanklater, 2001, Waking Life (Film), Fox Searchlight Pictures, USA

Create Digital Music is the creation of Peter Kirn, a composer/musician, media artist, educator, and technology journalist. It started off in 2005 as a relatively unknown blog with the aim of covering the development of the latest products, technologies, and trends that surround how music is produced, performed, and shared. Since then it has grown into a fully staffed online magazine and community, with contributors ranging from to leading edge software developers to world renown sound designers and artists. They share how to make the most of digital music technology on computers (Windows, Mac, and Linux), game platforms, mobile devices, electronic hardware, and DIY and handmade inventions, and examine the work of the artists and inventors who explore digital media.

After following this blog and reading every post for around six months now I can confirm that they have certainly stuck to their target audience which I feel I fall into strongly. It is only very rarely that I personally find an article uninteresting or irrelevant; the posts most often consist of an efficient in-depth insight into the topic.

Aesthetically the page has a clear colour scheme and is structured well, with search bar and popular tags at the top, and a large picture link back to the main home page no matter where you navigate to within the site. The post stream is clearly positioned in the centre of the page, with each article clearly displaying the date and title, tags associated with the post, and a short summary of the content normally positioned under a large picture relevant to the topic. The post feed also displays the number of comments made on each article to help the reader gauge how much attention the article is getting. This link is positioned right under the a clearly labeled “read more…” link that leads the reader to the full article. The right side of the page contains a large list of external links all still relevant to the music geek target audience, as well as quick links with several options of RSS subscription including the main post feed, a comments feed and a feed from the community forums. There are normally advertisements listed on the upper right of the page and every now and then between posts. Normally this amount of advertisement can become annoying to navigate around on blogs, though in this case all advertised products and services are relevant and often interesting to the target audience (i.e. SAE institute for sound technology, advertisement for NI’s graphically based music programming software Reaktor).

The individual posts most often contain a good balance of visual, audio and informative text content (Gold Panda article example). In this article with electronic artist Gold Panda, the page begins with a picture of the artist, followed by a short summary of the article content. A particularly well implemented idea for CDM is the way they usually embed a player of the artist’s music that they’re interviewing towards the beginning of the post. This allows the reader to listen to the artist’s latest releases while hearing them discuss the production process in detail to gain a clear idea of the artist’s perception. Articles often end with live videos where the discussed album/software/technology can be seen in action along with links directly leading to where the work can be obtained.

As the blog targets quite a specific target audience, the discourse used by Peter is consistent and although it may often be confusing to the average reader, it is always relevant to this target audience. The blog also doesn’t mind displaying a comic side, often containing long running jokes throughout the posts or on the occasion, a particularly nerdy joke article (binary code joke article).

Peter’s writing often contains personal content for his readers to directly relate to, such as experiences at a festival, how he felt meeting particular artists or personal opinions on particular events or happenings, though always relevant to his posts’ content. He also actively replies to comments, often ending up having entire discussions with his readers in the comment section whether he’s arguing a point, clarifying his perception or simply getting absorbed in the topic.

Since I began following the site, it has been updated consistently; most often a post or two every two days, the longest period of time being about a week when he was on holiday (through which he still couldn’t resist posting his latest musical finds and encounters).

Create Digital Music is actually the only blog that I have come across and have continued to return to regularly since finding it. The author develops a strong relationship with his readers, is extremely reliable in offering the most leading edge news in music tech with an easy to navigate, clear cut site. For these reasons I recommend it to anyone interested in whats going on at the forefront of the music tech scene.

 

There were some great blogs recommended by some friends in class! You can find at least three decent ones by checking out their blogs (links on the left to their groovalicious pages)

Cheers for the read

It’s been a long process, but I’ve arrived at the finale :-)

Or check it out at my ABC Pool Profile>>>

Paluma Lake Clip @ ABC Pool

This video clip is an expansion on my original soundscape work! I’ve followed the nostalgic dream-like theme of the soundscape through this visual interpretation.

Thanks to ABC Pool member CharlieFreak for the short video snippet I added to the video… The original video can be found here >> 1999 Solar Eclipse, by ABC Pool member CharlieFreak

To read the essay depicting the production process in detail, CLICK HERE

I shall miss this place dearly…

Thanks for reading ol’ chaps, be in touch soon!

The filming process was a complete success.

Thanks to my friend Erica I got my hands on a nice HD JVC with an 80GB HDD… Perfect for the job. I got some great angles on the entire environment and had the chance to try some zoom effects as well.

A few mates came along for the journey also so it turned out to be a fun event.

Only the editing remains now… Apple’s Final Cut Pro 7 definitely seems to be the way to go. I find a manual for the exact version at the state Library which had some excellent tips and techniques. I’m hoping to be able stretch out the video to create a slow-motion ethereal type effect, with some blurred transitions to complement. Some experimentation is certainly in order when the time comes to upload the video.

Time to spill some ideas for the video clip!

I’m thinking it must revolve heavily around the main concept within the soundscape… Thus strongly reflecting the nostalgic, dream-like theme. It would also be ideal to keep the shot consistently from the dreamer’s perspective, so a handy cam job should do nicely. I shall organise a trip to Lake Paluma itself shortly… I couldn’t think of a more ideal setting. Will definitely have to invite some friends along to add to the personal touch of the film.

^^^Paluma… Here I come!

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